All at Once by Stephanie Hsu, Michelle Yeoh and Ke Huy Quan
everywhere at once We live in a very surprising and chaotic world, bound by flimsy rules and sometimes crazy nonsense. It makes the movie incredibly fun and completely unpredictable. This is an advantage. But at its core, there’s a very solid storyline backed by Michelle Yeoh’s moving performance. She is the beating heart of the film, injecting into Evelyn a tendency to rest, an unrestrained energy, and a desperate desire to throw everything away and save it all at once. Yeoh conveys the strength, concern, and seriousness needed for Evelyn’s emotions to run deep and her subtle acting to pass. Ke Huy Quan stands out especially here as he has to play the very confident version of Waymond, the regrettable optimist and her often-angry husband of Evelyn. More than anyone else in the film, Waymond is the glue that holds it all together and the actor’s performance is unforgettable. Stephanie Hsu in her role of Zoe reveals her own soul and the emotions she conveys (anger, frustration, love) are sharp and break her heart.
The film ponders the world and what really matters. Is it worth fighting for when life’s chaos reigns supreme in a social media connected world where everyone constantly shares attention and energy between the constant and disruptive news cycle, the struggles of their lives, and all the hot issues? Everything matters and nothing matters. everywhere at once Clearing out the clutter and giving Evelyn a chance to pinpoint the feelings of the alleged villain, Jobu Tupaki (Hsu), entice her to fight for something even when everything seems hopeless. In that respect, the film is endearing and hopeful despite its multidimensional plot.
Jamie Lee Curtis and Michelle W at Once
The film handles the main themes well, but it is warmest when it focuses on the dynamics of the Evelyn family. Although she is tired of her husband and her daughter, she also has to deal with many problems that stem from Evelyn’s relationship with her own father. Evelyn and her family are at the heart of the story, and their tense, loving and complex relationship is the fuel that moves the film forward. When her work comes to an end, Evelyn has to deal with her own grievances, and Daniels skillfully persuades Evelyn to do so, ending in an ending where the right amount of emotion comes into play.
visually, everywhere at once Gorgeous and quirky, ready to take it to the next level to explore the multiverse and everything it contains. There’s so much work going on and you’ll have to replay multiple times to capture everything, but there’s something absolutely intoxicating and captivating about the effects and the way multiverse hopping is deployed. Daniels skillfully uses sci-fi and action to create a film that tells the nuances of a thoughtful, heartfelt story about a family and a life worth fighting for. everything said, everywhere at once There is something for everyone and audience in the fantastic, imaginative world of cinema and the message at its core.
everywhere at once It opens in theaters from April 1st. The film is 132 minutes long and has an R rating for some violence, sexual content, and language.
Our Rating:
4 out of 5 (excellent)
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Everything Everywhere All At Once Review: Yeoh Delivers In Imaginative Sci-Fi
Stephanie Hsu, Michelle Yeoh, and Ke Huy Quan in Everything Everywhere All At Once
Everything Everywhere All at Once dwells in a very wondrous, chaotic world, one that is bound by thin rules and occasionally zany nonsense. It makes the film incredibly fun and wholly unpredictable, which is to its benefit. At its center, however, is a very grounded story, bolstered by a moving performance by Michelle Yeoh. She is the beating heart of the film, imbuing Evelyn with anxious tendencies, unbridled energy, and a desperate need to throw everything away and save it all at once. Yeoh conveys the strength, apprehension, and earnestness required to make Evelyn’s emotions feel as deep as they do and her nuanced performance delivers. Ke Huy Quan is a particular standout here, tasked with playing a very confident version of Waymond, a regretful optimist, and Evelyn’s often exasperated husband. More than anyone in the film, Waymond is the glue that holds it all together and the actor’s portrayal is a memorable one. Stephanie Hsu as Joy bares her soul and the emotions she conveys — anger, frustration, love — are raw and heartbreaking.
The film ponders the world and whether anything really matters. Is anything worth fighting for when the chaos of living in a social media-connected world, where everyone is constantly splitting their attention and energy between a constant and devastating news cycle, their own life struggles, and whatever hot button issue is at the forefront? Everything matters and nothing does. Everything Everywhere All at Once sorts through the disarray, allowing Evelyn a chance to understand exactly what the perceived villain Jobu Tupaki (Hsu) feels while simultaneously pushing her to fight for something, anything, even if it all seems hopeless. To that end, the film, even in all of its multiversal action, is endearing and hopeful.
Jamie Lee Curtis and Michelle Yeoh in Everything Everywhere All At Once
The film handles its primary themes well, but it is most heartwarming when focused on the dynamics of Evelyn’s family. She is tired of her husband and daughter, but she’s also got a lot of her own issues to sort through, issues that stem from Evelyn’s own relationship with her father. Evelyn and her family are very much the heart of the story and their relationship with each other — tense, loving, complicated — is the fuel that keeps the movie going. When things get to a head, it’s up to Evelyn to sort through her own discontentment and The Daniels skillfully push her to do so, culminating in an ending that has just the right amount of emotion to work.
Visually, Everything Everywhere All at Once is spectacular and unhinged, willing to take things to the next level in a bid to explore the multiverse and all it holds. There is so much going on and it’ll take several rewatches to catch everything, but there is something utterly intoxicating and mesmerizing in the way the effects and multiverse-hopping are employed. The Daniels made a film that masterfully utilizes sci-fi and action to tell a thoughtful, heartfelt, and nuanced story about family and the life that is worth fighting for. All told, Everything Everywhere All at Once has something for everyone, and audiences will be pulled in by the film’s fantastically imaginative world and the message at its core.
Everything Everywhere All at Once is playing in theaters as of April 1. The film is 132 minutes long and is rated R for some violence, sexual material, and language.
Our Rating:
4 out of 5 (Excellent)
#Review #Yeoh #Delivers #Imaginative #SciFi
Everything Everywhere All At Once Review: Yeoh Delivers In Imaginative Sci-Fi
Stephanie Hsu, Michelle Yeoh, and Ke Huy Quan in Everything Everywhere All At Once
Everything Everywhere All at Once dwells in a very wondrous, chaotic world, one that is bound by thin rules and occasionally zany nonsense. It makes the film incredibly fun and wholly unpredictable, which is to its benefit. At its center, however, is a very grounded story, bolstered by a moving performance by Michelle Yeoh. She is the beating heart of the film, imbuing Evelyn with anxious tendencies, unbridled energy, and a desperate need to throw everything away and save it all at once. Yeoh conveys the strength, apprehension, and earnestness required to make Evelyn’s emotions feel as deep as they do and her nuanced performance delivers. Ke Huy Quan is a particular standout here, tasked with playing a very confident version of Waymond, a regretful optimist, and Evelyn’s often exasperated husband. More than anyone in the film, Waymond is the glue that holds it all together and the actor’s portrayal is a memorable one. Stephanie Hsu as Joy bares her soul and the emotions she conveys — anger, frustration, love — are raw and heartbreaking.
The film ponders the world and whether anything really matters. Is anything worth fighting for when the chaos of living in a social media-connected world, where everyone is constantly splitting their attention and energy between a constant and devastating news cycle, their own life struggles, and whatever hot button issue is at the forefront? Everything matters and nothing does. Everything Everywhere All at Once sorts through the disarray, allowing Evelyn a chance to understand exactly what the perceived villain Jobu Tupaki (Hsu) feels while simultaneously pushing her to fight for something, anything, even if it all seems hopeless. To that end, the film, even in all of its multiversal action, is endearing and hopeful.
Jamie Lee Curtis and Michelle Yeoh in Everything Everywhere All At Once
The film handles its primary themes well, but it is most heartwarming when focused on the dynamics of Evelyn’s family. She is tired of her husband and daughter, but she’s also got a lot of her own issues to sort through, issues that stem from Evelyn’s own relationship with her father. Evelyn and her family are very much the heart of the story and their relationship with each other — tense, loving, complicated — is the fuel that keeps the movie going. When things get to a head, it’s up to Evelyn to sort through her own discontentment and The Daniels skillfully push her to do so, culminating in an ending that has just the right amount of emotion to work.
Visually, Everything Everywhere All at Once is spectacular and unhinged, willing to take things to the next level in a bid to explore the multiverse and all it holds. There is so much going on and it’ll take several rewatches to catch everything, but there is something utterly intoxicating and mesmerizing in the way the effects and multiverse-hopping are employed. The Daniels made a film that masterfully utilizes sci-fi and action to tell a thoughtful, heartfelt, and nuanced story about family and the life that is worth fighting for. All told, Everything Everywhere All at Once has something for everyone, and audiences will be pulled in by the film’s fantastically imaginative world and the message at its core.
Everything Everywhere All at Once is playing in theaters as of April 1. The film is 132 minutes long and is rated R for some violence, sexual material, and language.
Our Rating:
4 out of 5 (Excellent)
#Review #Yeoh #Delivers #Imaginative #SciFi
Synthetic: Vik News
