Entertainment

Michael Bay says he saved money on Ambulance by sweet-talking the police

There is never a low stature when it comes to Michael Bay. But with a budget of $40 million, his latest film is ambulance, It’s a little more realistic than his five Transformers movies or his Netflix project. 6 underground. Bay makes the most of its slightly smaller budget. ambulance Always full of gunfights, explosions, chases and action. But it’s more than smart cinema that Bay has helped her budget. He also claims to have a hidden talent that can help you get the perfect shot while saving you significant money.

“Hey, a great skill I have is talking to the police. Police love my movies all over the world. From Italy to Paris, anything. They will give me a lot.” Bay told Polygon in a phone interview.

Bay had a chance to use this ability. ambulanceThe first day of filming. The film centers on a robbery in which two desperate criminals and two hostages race through Los Angeles in increasingly ambulances that are tracked by the LAPD and the FBI. Several police officers pulled over from behind while a small crew member filmed an ambulance traveling at normal speed on the highway. Bay explains that it’s just a full-time support staff assigned to the film, but it’s also an opportunity.

Several helicopters follow the ambulance in an ambulance.

Image: Universal Image

“I said, ‘Hey, I want to put you in a movie. What do you do when you’re chased? If you chase an ambulance?’ Bay said. I’m going to cut off the highway and do the rolling blocks for me. We were towing our ass on the open highway at 90 mph. The regular movie cost $350,000 and took two months of planning. We’re on a real highway and we’re too It feels real because it drives fast, so it’s like free stuff.

ambulance Brad Fischer, producer and president of New Republic Pictures, was not present at the scene because filming had come too early, but was not at all surprised to find out.

“He’s always had great relationships with law enforcement,” Fischer said of Bay in a phone interview with Polygon. “Look, he sometimes does. You have to be smart, use relationships and do everything safely and correctly. […] I think his experience with the police was definitely helpful.

Several police officers in an ambulance are heading towards their target.

Image: Universal Image

Real police use is not uncommon for Bay, according to Fischer. In fact, Bay is a bit of a law enforcement expert at this point, says Fischer. It’s part of how he added the realism that underpins some of his most explosive action films.

Fischer said, “Even in terms of authenticity, it’s much easier if you don’t have to explain to the actors. The cops know how to stand up and work. They’re real. It doesn’t always work, but when you look at the tactical things they do, it feels real because it’s real. […] He knows the difference between watching a group of criminals and taking action. All of these details were part of the tweaks Michael made to the script, and you can identify him on the screen.

Director Michael Bay on the ambulance set

Image: Universal Image

Of course, a bit of wholesome realism and the ability to freeze some of the most ridiculous real-life explosions and action scenes of the past seven years are certainly useful qualities when making these films. ambulanceKnowing who to shoot with doesn’t help you save hundreds of thousands of dollars.


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Michael Bay says he saved money on Ambulance by sweet-talking the police

Nothing is ever low key when it comes to Michael Bay. But with a budget of just $40 million, his latest film, Ambulance, is a bit more down-to-earth than his five Transformers movies, or even his Netflix project, 6 Underground. Bay made the most of his slightly smaller budget, and Ambulance is always full of shootouts, explosions, car chases and action. But it’s more than smart cinema that’s helped Bay boost its budget. He claims he also has a hidden talent that has helped him get the perfect shots, while saving quite a bit of money.
“Look, a great skill I have is talking to cops. Cops love my movies around the world. I mean from Italy to Paris, whatever. They would give me a lot,” Bay told Polygon during a telephone interview.
Bay had the chance to use this skill on one of the Ambulancefirst days of filming. The film centers on a heist gone wrong that leaves two desperate criminals and two hostages running around Los Angeles in an increasingly battered ambulance, pursued by the LAPD and FBI. As a small crew filmed coverage of the ambulance driving down a highway at normal speed, several police officers pulled up behind them. It was just the regular escort team assigned to the film, Bay explains, but it was also an opportunity.

Image: Universal Images
“I’m like, ‘Hey, I’d love to put you in the movie. When you’re in a chase, what do you do? What if you chase an ambulance? Bay said. “And then they – well, they wanted pictures first. Second, they said they would like to be in the movie. They would literally block the freeway for me and make a rolling block. We hauled ass at 90 miles an hour on an open highway. It would have cost $350,000 for a normal movie and would have required two months of planning. It feels real because it’s on a real highway, and we’re going that fast. So it’s like free stuff.
Ambulance Producer and New Republic Pictures president Brad Fischer wasn’t on set for the incident, as it was so early in filming, but he wasn’t at all surprised to learn of it.
“He’s always had a wonderful relationship with law enforcement,” Fischer said of Bay in a phone interview with Polygon. “I mean, look, that’s the kind of thing sometimes. You have to be smart and use relationships and do everything safely and the right way. […] I think his experience working with the police has certainly been helpful.

Image: Universal Images
According to Fischer, using real cops is not at all uncommon for Bay. In fact, Bay is a bit of a law enforcement expert at this point, Fischer says. It’s part of how he adds the realism that grounds some of his most explosive action films.
“Even from an authenticity standpoint,” Fischer says, “it’s obviously a lot easier if you don’t have to explain to an actor. A cop knows how to stand and stand. They’re just the real deal It doesn’t always work, but if you watch the tactical stuff they do, it feels real because it is real. […] He knows the difference between when they’re watching a group of criminals and when they’re going to intervene. All of these details were part of the tweaking that Michael did on the script, and you can identify him on screen.

Image: Universal Images
Of course, while a bit of wholesome realism and the ability to anchor some of the most ridiculous practical explosions and action scenes of the past seven years is certainly a useful quality when you’re making a film like AmbulanceTurns out knowing who to shoot with to save a few hundred thousand dollars doesn’t hurt either.

#Michael #Bay #saved #money #Ambulance #sweettalking #police

Michael Bay says he saved money on Ambulance by sweet-talking the police

Nothing is ever low key when it comes to Michael Bay. But with a budget of just $40 million, his latest film, Ambulance, is a bit more down-to-earth than his five Transformers movies, or even his Netflix project, 6 Underground. Bay made the most of his slightly smaller budget, and Ambulance is always full of shootouts, explosions, car chases and action. But it’s more than smart cinema that’s helped Bay boost its budget. He claims he also has a hidden talent that has helped him get the perfect shots, while saving quite a bit of money.
“Look, a great skill I have is talking to cops. Cops love my movies around the world. I mean from Italy to Paris, whatever. They would give me a lot,” Bay told Polygon during a telephone interview.
Bay had the chance to use this skill on one of the Ambulancefirst days of filming. The film centers on a heist gone wrong that leaves two desperate criminals and two hostages running around Los Angeles in an increasingly battered ambulance, pursued by the LAPD and FBI. As a small crew filmed coverage of the ambulance driving down a highway at normal speed, several police officers pulled up behind them. It was just the regular escort team assigned to the film, Bay explains, but it was also an opportunity.

Image: Universal Images
“I’m like, ‘Hey, I’d love to put you in the movie. When you’re in a chase, what do you do? What if you chase an ambulance? Bay said. “And then they – well, they wanted pictures first. Second, they said they would like to be in the movie. They would literally block the freeway for me and make a rolling block. We hauled ass at 90 miles an hour on an open highway. It would have cost $350,000 for a normal movie and would have required two months of planning. It feels real because it’s on a real highway, and we’re going that fast. So it’s like free stuff.
Ambulance Producer and New Republic Pictures president Brad Fischer wasn’t on set for the incident, as it was so early in filming, but he wasn’t at all surprised to learn of it.
“He’s always had a wonderful relationship with law enforcement,” Fischer said of Bay in a phone interview with Polygon. “I mean, look, that’s the kind of thing sometimes. You have to be smart and use relationships and do everything safely and the right way. […] I think his experience working with the police has certainly been helpful.

Image: Universal Images
According to Fischer, using real cops is not at all uncommon for Bay. In fact, Bay is a bit of a law enforcement expert at this point, Fischer says. It’s part of how he adds the realism that grounds some of his most explosive action films.
“Even from an authenticity standpoint,” Fischer says, “it’s obviously a lot easier if you don’t have to explain to an actor. A cop knows how to stand and stand. They’re just the real deal It doesn’t always work, but if you watch the tactical stuff they do, it feels real because it is real. […] He knows the difference between when they’re watching a group of criminals and when they’re going to intervene. All of these details were part of the tweaking that Michael did on the script, and you can identify him on screen.

Image: Universal Images
Of course, while a bit of wholesome realism and the ability to anchor some of the most ridiculous practical explosions and action scenes of the past seven years is certainly a useful quality when you’re making a film like AmbulanceTurns out knowing who to shoot with to save a few hundred thousand dollars doesn’t hurt either.

#Michael #Bay #saved #money #Ambulance #sweettalking #police


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