Reviews

The clumsy new Firestarter adaptation does one major thing better than the 1984 original

Not Zac Efron. abominable The Duke’s adaptation of Stephen King’s 1980 novel fire starterBut he is a distraction. Occasionally, while watching a movie, it comes to mind, as set by one of the movie’s media protagonists. Yes, Zac Efron will be there. Like the 1984 movie version fire starter – Widely recognized as one of the worst King adaptations – Cast and crew of 2022 fire starter This particular project contains a name that is all too familiar. What the new version actually beats the ’84 movie is that in this case, it gives at least a few of those names.

Efron side by side with Sydney LemonHellstromfear walking death) and Ryan Kiera Armstrong (Anne with E, black widow) Andy McGee, chieftain of a small clan with destructive superpowers coveted by government agencies like the CIA, known as the DSI. Andy can psychologically “push” people to work. He’s an ability he uses to cure his nicotine addiction for money in the early scenes. Vicky (Lemon) refuses to even use her obscure abilities. And her young daughter Charlie (Armstrong) uses her breathing exercises and her self-soothing skills to curb her firepower abilities by treating them like her mental illness.

King’s novel and 1984 film begin. at media resolution, after DSI agents finally track down the McGee family and force Andy and Charlie to escape. 2022 fire starter Going back to the moment Charlie’s powers reappear, Scott Tims’ embarrassing script can explain a few things. Teems also wrote disappointingly in 2021 halloween killAnd fire starter Likewise, it suffers from crude expressions and complex subjects. (similar halloween Kill, I don’t think this movie can tell if murder is a bad thing.) 2022 fire starterConversation is incredibly boring. You can make real messy sandwiches on white bread that only the most seasoned cast in the film: Kurtwood Smith, who plays a bit of a penitent government investigator, and Michael Greyeyes, who plays the almighty DSI assassin Rainbird, can. . I am half remorseful.

In particular, Gray Eyes is the highlight. He’s fairly good at everything and this movie really isn’t worth it. (The point of the remake column is the fact that the Cherokee character, Rainbird, is actually a brown-faced and this time played by a local actor and not George C. Scott.) His thoughts around the room, Grayeyes, make him an anti-hero to cheer for. And when Charlie (though it may not be the script) fully embraces her adolescent metaphor and turns her flowering powers into her coming-of-age moments, she’s an idiot too.

Not for the rest of the cast, which falls on an iceberg and flies out to sea when you need to deliver more than one line of dialogue at a time. Normally, 2022 fire starter It’s pretty good when no one is talking. Real telekinesis and fire effects are dramatic and expertly executed. And despite the really messy color grading in the first half of the movie, director Keith Thomas shows off a bit of a budget flair in the climax of the pyrotechnic showdown. (That said, it’s overwhelming compared to the cocaine 10-year excess at the end of the 1984 movie. Get a score of 1 for the original version.)

Photo: Universal Pictures

In another highlight, John Carpenter and his son/bandmate Cody wrote the score for the new song. fire starter, which reflects Carpenter’s commitment to working on films as long as he can only do the fun part. Then we go back to watching basketball. (This Blumhouse production also shares some behind-the-scenes staff with reboots. Halloween It’s a franchise that further accounts for the existence of Carpenters in the project.) No one can compose a line of synths that are as eerie and addictive as theirs, no matter how hard others try. Like Grayeyes, this movie probably won’t. Earn John Carpenter, however, benefits from his dedication.

fire starter It’s ahead of the 2010 wave of “sublime” superhero movies. In fact, the S word doesn’t appear at all in the ’84 version. (Unfortunately it came out pretty late in the movie, but it’s talked about here.) And to be clear, fire starter Movies compete on the same level as movies. fast color or Midnight Special, Both share elements with this horror and paranoid sci-fi thriller. But sometimes in the world of remakes and Stephen King adaptations, “quality” can be very relative, especially when the two overlap. fire starter 2022 is a slight improvement over the ’84 original. Because it is not virtually absent, but has a few binding properties.

fire starter currently showing in theaters streaming from peacock.


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The clumsy new Firestarter adaptation does one major thing better than the 1984 original

Zac Efron isn’t terrible in Peacock’s adaptation of Stephen King’s 1980 novel Firestarter, but he is distracting. Every once in a while, while watching it, the thought appears unbidden, as if it was placed by one of the film’s psychic protagonists: Oh yeah, Zac Efron is in this. As with the 1984 film version of Firestarter — widely acknowledged as one of the worst King adaptations — the cast and crew of the 2022 Firestarter features names that seem too high-profile for this particular project. Where the new version actually surpasses the ’84 movie is that in this case, at least a couple of those names deliver.
Efron stars alongside Sydney Lemmon (Helstrom, Fear the Walking Dead) and Ryan Kiera Armstrong (Anne with an E, Black Widow) as Andy McGee, patriarch of a small clan burdened with destructive psychic powers coveted by a CIA-esque government agency known as the DSI. Andy can psychically “push” people into doing things, a skill he’s using to cure nicotine addictions for cash in an early scene. Vicky (Lemmon) refuses to use her ill-defined powers at all. And their young daughter, Charlie (Armstrong), treats her pyrokinetic abilities like a mental illness, using breathing exercises and self-soothing techniques to keep them at bay.
King’s novel and the 1984 film both start in medias res, after DSI agents finally track down the McGee family and force Andy and Charlie to go on the run. The 2022 Firestarter backs up to the moment where Charlie’s powers begin to reemerge so Scott Teems’ embarrassing screenplay can explain some things. Teems also wrote 2021’s disappointing Halloween Kills, and Firestarter similarly suffers from crude exposition and convoluted themes. (Much like Halloween Kills, this film apparently can’t decide whether murder is bad.) The 2022 Firestarter’s dialogue is laughably insipid, a real baloney sandwich on white bread that only the most skilled members of the film’s cast — namely, Kurtwood Smith in a small role as a regretful government researcher and Michael Greyeyes as superpowered DSI assassin Rainbird — can make sound halfway decent.

Greyeyes in particular is a highlight. He’s good in everything, to be fair, and this movie really doesn’t deserve him. (The fact that this time around, Rainbird, a Cherokee character, is actually played by a Native actor rather than George C. Scott in brownface, is one point in the remake’s column.) When Rainbird is striding around with great purpose and throwing objects around the room with his mind, Greyeyes makes him an antihero to root for. And once Charlie (though maybe not the script) fully grasps the puberty metaphor and turns her blossoming powers into a coming-of-age moment, she’s a hoot as well.
That can’t be said for the rest of the cast, who are plopped onto the proverbial iceberg and pushed out to sea in those moments where they have to deliver more than one line of dialogue at a time. Generally, the 2022 Firestarter is pretty okay when no one is talking. The practical telekinetic and fire effects are dramatic and professionally executed. And in spite of some truly baffling color grading in the first half of the film, director Keith Thomas does show a bit of low-budget flair during the climactic pyromaniacal showdown. (That being said, it’s underwhelming compared to the cocaine-decade excess of the 1984 film’s ending. Score one for the original version.)

Photo: Universal PIctures
In another highlight, John Carpenter and his son/bandmate Cody wrote the score for the new Firestarter, a reflection of Carpenter’s willingness to work on movies as long as he can just do the fun parts, then back to watching basketball. (This Blumhouse production also shares quite a few behind-the-scenes personnel with the rebooted Halloween franchise, further explaining the Carpenters’ presence on the project.) No matter how hard other people may try, no one can compose an uncanny-yet-catchy synth line like the man himself. Much as with Greyeyes, this movie probably doesn’t deserve John Carpenter, but it does benefit from his involvement.
Firestarter predates the 2010s wave of “elevated” superhero movies — in fact, the S-word doesn’t appear in the ’84 version at all. (Here, sadly, it is uttered, albeit quite late in the film.) And to be clear, neither of the Firestarter films are competing on the same level as movies like Fast Color or Midnight Special, both of which share elements with this horror-ish, paranoid sci-fi thriller. But sometimes in the world of remakes and Stephen King adaptations — and especially when the two overlap — “quality” can become awfully relative. Firestarter 2022 is a marginal improvement on the ’84 original, if only because it has a handful of redeeming qualities rather than virtually none at all.
Firestarter is currently in theaters and streaming on Peacock.

#clumsy #Firestarter #adaptation #major #original

The clumsy new Firestarter adaptation does one major thing better than the 1984 original

Zac Efron isn’t terrible in Peacock’s adaptation of Stephen King’s 1980 novel Firestarter, but he is distracting. Every once in a while, while watching it, the thought appears unbidden, as if it was placed by one of the film’s psychic protagonists: Oh yeah, Zac Efron is in this. As with the 1984 film version of Firestarter — widely acknowledged as one of the worst King adaptations — the cast and crew of the 2022 Firestarter features names that seem too high-profile for this particular project. Where the new version actually surpasses the ’84 movie is that in this case, at least a couple of those names deliver.
Efron stars alongside Sydney Lemmon (Helstrom, Fear the Walking Dead) and Ryan Kiera Armstrong (Anne with an E, Black Widow) as Andy McGee, patriarch of a small clan burdened with destructive psychic powers coveted by a CIA-esque government agency known as the DSI. Andy can psychically “push” people into doing things, a skill he’s using to cure nicotine addictions for cash in an early scene. Vicky (Lemmon) refuses to use her ill-defined powers at all. And their young daughter, Charlie (Armstrong), treats her pyrokinetic abilities like a mental illness, using breathing exercises and self-soothing techniques to keep them at bay.
King’s novel and the 1984 film both start in medias res, after DSI agents finally track down the McGee family and force Andy and Charlie to go on the run. The 2022 Firestarter backs up to the moment where Charlie’s powers begin to reemerge so Scott Teems’ embarrassing screenplay can explain some things. Teems also wrote 2021’s disappointing Halloween Kills, and Firestarter similarly suffers from crude exposition and convoluted themes. (Much like Halloween Kills, this film apparently can’t decide whether murder is bad.) The 2022 Firestarter’s dialogue is laughably insipid, a real baloney sandwich on white bread that only the most skilled members of the film’s cast — namely, Kurtwood Smith in a small role as a regretful government researcher and Michael Greyeyes as superpowered DSI assassin Rainbird — can make sound halfway decent.

Greyeyes in particular is a highlight. He’s good in everything, to be fair, and this movie really doesn’t deserve him. (The fact that this time around, Rainbird, a Cherokee character, is actually played by a Native actor rather than George C. Scott in brownface, is one point in the remake’s column.) When Rainbird is striding around with great purpose and throwing objects around the room with his mind, Greyeyes makes him an antihero to root for. And once Charlie (though maybe not the script) fully grasps the puberty metaphor and turns her blossoming powers into a coming-of-age moment, she’s a hoot as well.
That can’t be said for the rest of the cast, who are plopped onto the proverbial iceberg and pushed out to sea in those moments where they have to deliver more than one line of dialogue at a time. Generally, the 2022 Firestarter is pretty okay when no one is talking. The practical telekinetic and fire effects are dramatic and professionally executed. And in spite of some truly baffling color grading in the first half of the film, director Keith Thomas does show a bit of low-budget flair during the climactic pyromaniacal showdown. (That being said, it’s underwhelming compared to the cocaine-decade excess of the 1984 film’s ending. Score one for the original version.)

Photo: Universal PIctures
In another highlight, John Carpenter and his son/bandmate Cody wrote the score for the new Firestarter, a reflection of Carpenter’s willingness to work on movies as long as he can just do the fun parts, then back to watching basketball. (This Blumhouse production also shares quite a few behind-the-scenes personnel with the rebooted Halloween franchise, further explaining the Carpenters’ presence on the project.) No matter how hard other people may try, no one can compose an uncanny-yet-catchy synth line like the man himself. Much as with Greyeyes, this movie probably doesn’t deserve John Carpenter, but it does benefit from his involvement.
Firestarter predates the 2010s wave of “elevated” superhero movies — in fact, the S-word doesn’t appear in the ’84 version at all. (Here, sadly, it is uttered, albeit quite late in the film.) And to be clear, neither of the Firestarter films are competing on the same level as movies like Fast Color or Midnight Special, both of which share elements with this horror-ish, paranoid sci-fi thriller. But sometimes in the world of remakes and Stephen King adaptations — and especially when the two overlap — “quality” can become awfully relative. Firestarter 2022 is a marginal improvement on the ’84 original, if only because it has a handful of redeeming qualities rather than virtually none at all.
Firestarter is currently in theaters and streaming on Peacock.

#clumsy #Firestarter #adaptation #major #original


Synthetic: Vik News

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